Information Modeling.Design Intelligence.

In’Spire: The Doctrine of Syn is my central work, a twenty-first-century revival of traditional cosmology through the quadrivium: arithmetic, geometry, music, and cosmology. Its 400-page, twelve-chapter journey moves from the Monad’s undivided point to the Dodecad’s twelve-around-one whole, treating number as quality and relation as a connective language across nature, art, culture, and design. Ten interactive instruments, original CAD studies, and illustrated plates turn that grand synthesis into a living curriculum, inviting visitors to see how number becomes form, proportion becomes harmony, and distinct fields can reveal a larger order without losing their differences.

The Interstellar Lighthouse reconsiders the Great Pyramid as a proposed geophysical and astrophysical instrument: an architecture coupling water, pressure, resonance, materials, geometry, and celestial orientation. Across a 308-page book and public research edition, technical overlays, architectural diagrams, and comparative plates follow the monument’s ground conditions, passages, chambers, shafts, metrology, construction, and resonant behavior into a speculative whole. The inquiry extends to hydrogen’s 21-centimeter line, SETI, and the overview effect, while asking what measurement, simulation, and physical reconstruction could test—and how a civilization’s cosmic perspective might deepen its responsibility to Earth.

The Water-Bearer’s Codex follows water from molecular structure and interfacial behavior through springs, rivers, vortices, living systems, and planetary circulation. Rooted in Michigan’s woods and waters and Viktor Schauberger’s field observations, it places historical ideas beside physical chemistry, hydrology, ecology, and experimental research. Its expanding digital atlas organizes 25 principles across substance, cycle, motion, energetics, and technology, with interactive studies, a searchable lexicon, and annotated sources. Throughout, the Codex asks how human design can support life-renewing cycles while keeping measured behavior, interpretation, metaphor, and open questions visibly distinct.

Cog-Ignition is a private, browser-based information model for understanding how everyday choices relate to the body’s cognitive, endocrine, immune, and cardiovascular systems. Guided questionnaires map patterns in sleep, movement, nutrition, stress, recovery, exposure, and environment into four live readouts, then identify practical, high-leverage next steps. Every claim carries an A–D evidence grade and source, keeping established findings distinct from emerging or contested ideas. The aim is greater health literacy—not diagnosis—so visitors can recognize uncertainty, inspect the evidence, and ask better questions about personal well-being.

Atlas Systems is a virtual design laboratory for imagining a whole-systems community in rhythm with its Lake Superior watershed. Seven interactive modules connect shelter, water and hydrogen works, utilities, land and food systems, a living digital twin, and civic governance through maps, simulations, stress tests, and public ledgers. Inheriting Buckminster Fuller’s design science and World Game, Atlas treats the settlement as one organism whose flows, assumptions, boundaries, and uncertainties remain inspectable, asking how a place might preserve resources, distribute understanding, and rehearse difficult decisions before any site is chosen or physical settlement is built.

HelioSynth is an interactive study of Pythagorean musical theory, translating whole-number ratios and the classical quadrivium—arithmetic, geometry, music, and astronomy—into sound, motion, and visible form. A digital monochord, tuning comparisons, tone wheel, chord temple, rhythm and acoustics labs, and music-of-the-spheres models let visitors hear intervals, watch waves and orbital cycles, and shape their own harmonic chamber. Browser instruments and Web Audio reconstructions extend the study into playable compositions, while clear evidence labels distinguish historical sources and measured physics from contemporary design choices and mythopoetic speculation.

The Temple of Light and Color traces humanity’s effort to make light meaningful through natural philosophy, sacred architecture, color theory, and a contested chapter of American medical history. Edwin Babbitt’s 1878 The Principles of Light and Color and Dinshah Ghadiali’s Spectro-Chrome movement unfold through archival sources, a surviving family projector, and the federal case that dismantled its center. A Universal Tuner recasts that inheritance as a living digital field, moving among twelve historical colors, wavelength references, free mixing, and full-screen projection. Therapeutic claims remain history, placed in careful dialogue with established photobiology and the body’s measurable response to light.

Oracle 64 reimagines the I Ching as an interactive atlas of change and a sixty-four-state symbolic system. Visitors can reshape its constellation as a six-dimensional cube, Fuxi matrix, ring, or double helix, then open individual hexagrams and trace one-line transitions. A gesture-powered chamber casts readings through yarrow-stalk or three-coin probabilities while keeping each question private. The written codex connects paired trigrams, Leibniz’s binary insight, modern computing, and the genetic code’s parallel sixty-four-word structure, presenting that final relationship as structural correspondence rather than causal claim—and reflection, never obedience, as the work’s purpose.

Sherwood imagines a settlement held in common and run at the efficiency of a forest: water banked, materials circulated, energy gathered from local flows, and a full third of the land left wild. Beginning with Robin Hood, Forest Law, enclosure, and extraction around Lake Superior, the exhibition reframes the legend as an argument for commons and a counter-offer for wounded land. Interactive watershed models, settlement maps, and a ledger of return explore how repair, agroforestry, shared stewardship, and local skill might become durable community wealth. A non-binding Greenwood Tally tests whether public will can coordinate a place before conventional capital sets its terms.

Astro Chart turns axial precession into a 25,920-year degree-clock: each tick equals one degree of sky and 72 years, each 2,160-year arc one zodiac age, and twelve ages a full turn. An interactive wheel, three-dimensional sky model, pole-star reader, and equinox-sunrise view let visitors move across epochs as Earth’s axis, the ecliptic, and the Milky Way’s crossings shift in relation. Archaeological dates, religious symbols, and civilizational turning points share the same measured circle, while a visible evidence ledger separates astronomical measurement, contested claims, and speculative interpretation—keeping the chart a framework for inquiry rather than prophecy.